ASCOLTARE LE NOTTI DI FEZ. NARRAZIONE FRAMMENTARIA

Abstract

Listening to the nights of Fez a fragmentary narrative. – In how many ways can one listen to a city – or rather the city – that excludes the noise of traffic while preserving the ancestral channelling and sonic configurations of its alleys and of materials belonging to a time discreet yet not immobile? The soundscape of the medina of Fez emerges not only as a visual space, but as a stratified acoustic landscape, oscillating between public, discreet, and sheltered spaces on the one hand, and private, reverberant, and communal ones on the other. The calls to prayer from the minarets, the flight of storks, and both human and non-human voices contribute to the construction of a sonic geography that defines urban spatiality. Architecture itself functions as an acoustic device that amplifies, attenuates, or trans-forms sounds, making Fez one of the most significant “cities of sound” in the world. Nighttime, in particular, discloses the sonic intimacy of the me-dina, transforming it into a natural conservatory of phonetic effects—an intangible heritage belonging not only to history, but also to the daily practices and sensory perceptions of its inhabitants